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the worst review for your favorite movie

Farted by l1fty, January 14, 2012, 05:19:03 AM

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l1fty

this is always fun

find your favorite movie on imdb and filter the user reviews on "hated it"

post the worst review here

Fargo

A hideous, hyper-inflated bleakscape of a movie, 28 March 2008 - 1/10

What galls me most about this movie specifically and the Coen brothers' movies generally is that they all reveal the insipidness of both the Coens and their fans. What they can't achieve with excellent dialogue, well-spun stories, and logical continuity in plotting, the Coens make up for via blood, lust, more blood, and then more blood. Vanquished from their movies is any sense of humanity or hope, and we are left in what I can best describe as a "bleakscape" - where the great positive is the presence of so much that is negative. I do delight, however, in the spectacle of reading swooning fans' fawning tributes to the Coens' "films" (and yes, their fans will watch only "films").

Utterly unbelievable in the bleak, depressing, and joyless tableaux they offer, the Coen films are the perfect answer to a society full of soulless narcissists.

Lump Clock


l1fty

a brief tutorial on how to filter user reviews on imdb

by uhuhyeahuhyeahclock





hope this help

RobClock

Ghostbusters

very boring, idiotic bilge, 30 March 1999
1/10
Author: helpless_dancer from Broken Bow, Oklahoma

Another popular film that to me is simply awful. This was supposed to be funny, but was just plain silly. Badly written, but could have been an ok film had it been done slightly more seriously. I know it was meant to be a comedy, and that is ok. However, it just didn't play as written. Really abysmal. 1 star.

Topcatyo

Action movie with an infantile, rubbish plot
1/10
Author: DrBob from Copenhagen

In short, Fight Club is a movie that attempts to give a distorted portrait of society as an evil in order to facilitate showing violence and yet more violence. But since the protagonist's disbelief in society is not substantiated, the movie has a hard time explaining the destruction plot. So, time has to be spent watching people fight. And of course, the disbelief cannot be motivated: The protagonist complaining that: "God damn it, an entire generation pumping gas ... We have no Great War. No Great Depression." is both romanticizing over events in Western history, that made absolutely no sense to the people living it, and at the same time mocking our grandparents and the life and society they fought for, ours.

The main character continues: "We were raised on television to believe that we'd all be millionaires, movie gods, rock stars, but we won't".

Well, learning to differentiate between yourself and "movie gods [and] rock stars" and learning that life is not all beer and skittles is what growing up is about today.

So, Brad Pitt et al., grow up. And go read a book or something.

The rubbish quote sums it up pretty good: "I see in fight club the strongest and smartest men that have ever lived. I see all this potential, and I see it squandered. God damn it, an entire generation pumping gas or waiting tables; slaves with white collars. We're the middle children of history. No purpose or place. We have no Great War. No Great Depression. Our Great War is a spiritual war... our Great Depression is our lives. Advertising has us chasing cars and clothes, working jobs we hate, so we can buy s**t we don't need. We were raised on television to believe that we'd all be millionaires, movie gods, rock stars, but we won't. And we're slowly learning that fact. And we're very, very p***ed off. "

LandlineClock

A Clockwork Orange

"A sexless, inhuman film, whose power derives from a ruthless subordination of its content to the demands of telling a good story."

I see your using the classic "I don't know what the fuck I'm talking about but I'm using big words to convince people my opinion is reasonable." Review strategy. Sexless? there is a large amount of nudity in the movie. There are even several rape scenes.

Is that really what you want in a movie? Pornography? Inhuman you say? Inhumanly ARTISTIC. Yeah, it is a dark story, and If you don't have a black sense of humor than don't insult it's plot. Get out of here.
this place is deader than ever


pop-tart

The Usual Suspects


yea, this movie sucked, 18 October 2002

Author: nakeane09 from maryland

this movie is umm, queer. completely overated and boring. wanna watch a real crime movie, watch pulp fiction. 10000x better. And what else, its boring. -1/10 ... yes, its really that bad

AnkhClock

The Departed

QuoteThe Untalented, 17 March 2007

Author: martinitaly from London, United Kingdom
*** This review may contain spoilers ***

The title clearly refers to Scorsese's talent, which vanished in a squirt of stage blood about 15 years back. He wasn't talented, he was brilliant -- but that was then. Today he should be making intelligent independent movies, elder statesmanly flourishes of wit and humanity, inspiring a younger generation. Instead, he's humiliating himself with overblown junk. His love affair with hoodlums is tiresome, his critique of Catholicism is ignorant and stupid -- I mean, I dislike Catholicism as an institution, and God knows it doesn't need me to defend it -- but any sociological or spiritual phenomenon with the history and complexity of Catholicism deserves better treatment than the head-kickings Scorsese metes out. And ironically, Scorsese has made his own Faustian pact with the Devil -- he had his years in the Hollywood wilderness and feels he won't get anything thoughtful financed -- so it's better to team up with a bankable but untalented actor and produce these lumbering, brainless sub-epics.

Many people in their comments here have struggled to express quite how deeply bad this film is. I too am at a loss. It's intriguing for a while, then downhill races into one of the worst supposedly classy films EVER MADE. Jack does his Jack Show, because he is vain and because no one has the guts to tell him that it was already self-parody 20 years ago. Supposed hard man Leonardo looks as enraged as a poodle when the canine beautician has gone a bit to close to his ear with the electric clippers. Matt is actually OK in the light comedy bits, which makes one wonder why he has become Hollywood's current Brooding One. Wahlburg -- rubbish. Sheen looks like he's focusing all his energies on trying to deliver his lines without spitting out his dentures. By the way, I reckon the script originally developed the sexual thing a bit more -- as it implies that Damon is not as groovy between the sheets as Leo, and his homophobia and other things seem to hint at his being a gay in denial -- but they decided that audiences wouldn't buy a gay hero, or it scared Damon, or God knows what -- just another loose end in this spaghetti-plate of a movie.

Overall, hardly anyone in this movie (Winstone is an exception) act-ually ACTS. They are all oh so boringly themselves. Consider Olivier in Marathon Man, how his characterisation of an ageing Nazi suggested all sorts of undercurrents of twisted psychotic nastiness -- and then look at Nicholson's leering, over-the-top gurning. Chortling as you pull the trigger on someone is not really quite enough to convince us we are witnessing evil, Jackie baby.

By the way, the film shows cutting-edge developments in cinematic blood-squirting technology. Instead of the wounds exploding using charges that produce a small cloud of smoke, they sort of vaporize -- it looks like it's done with compressed air. A great advance Scorsese can be proud of.

This film has been larded with praise -- by gaga members of the Hollywood money machine. Every year people say Scorsese deserves an Oscar, and it's usually because we remember his early films. Well, they have Lifetime Achievement Oscars if we want to reward a body of work. Now he has to go to his grave knowing he got the Oscar for a Turkey. Only he probably doesn't know. And do any of the egos involved in this mess care? Hollywood cynicism, parodied in Scorsese's last film, The Aviator! What a joke.

Right -- my last word, if you're still reading. We are currently being told by our masters to hate Iran. It has one of the few cinemas in the world that sometimes try to show something true about the human condition. Whereas our civilization produces, as one of the top-billing cultural manifestations of the year, expensive to make, heaped with praise and awards, exported around the world and seen by multiple millions--something about as edifying as watching lions tortured or Christians having limbs lopped off at the Roman Colisseum two millennia ago. What does this say about us?